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Heide Museum of Modern Art is only 20 minutes from Melbourne's CBD and boasts a unique combination of art, architecture and landscape.
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The Churchie honours contemporary artists; Walkley Book Award shortlist revealed; small works awarded; Tasmanian of the Year, and more.
RMIT and the Andrews Government have announced refurbishment plans for the iconic, 93-year-old theatre.
Three Summers hangs in, just, while Mountain pokes through the clouds again.
Each year the Screen Forever conference checks on the progress of gender equality. So far? Some good, some slower than we thought.
Auntie's night as she goes the full emotional while everyone else is dreary.
The office of the Queensland Premier and Minister for the Arts, Annastacia Palaszczuk, spruiks the government's investment in the arts sector.
Staff shuffle at The Wheeler Centre; farewells for NAVA; new Creative Producer at Carlew, CEO for Canberra Glassworks announced, and more.
Just a day after the infamous plebiscite, the Screen Forever Awards were a special and unexpected treat.
ABC Chair defends broadcasting role, embraces indies, pushes for big data, and relishes the opportunities as the market decays.
SPA CEO Matt Deaner sets the conference agenda by talking power, to unify separate fights and scattered agendas.
Australia's oldest known human remains were reinterred on Country today, more than four decades after being unearthed.
Arts leaders are calling upon the government to act in the wake of the Yes vote triumphing, while also acknowledging the divisive nature of the debate.
As the dialogue around contemporary textile art expands, a new work by Turner Prize recipient, Keith Tyson, is cut from the Australian Tapestry Workshop loom.
From bowel-scarfing monsters to a child's loyalty, and the testosterone rush of a tribal football roar, the winners in the 2017 awards covered a lot of emotional territory.
Theatre is a valuable tool for encouraging empathy. A new production aims to provide neurotypical audiences with insights into living with autism.
What do we know now? What are the possible industry implications?
First Nations theatre-makers have much to teach the sector when it comes to ensuring that our rehearsal rooms are culturally safe spaces.
Art Gallery of South Australia gives Aboriginal barks the spotlight through collaborations with a world-class American Collection and the MCA.
Arts organisations in the national capital have ambitious plans for the future, including a new theatre, as the ACT's population continues to grow.
Historically men have dominated the public art domain, but contemporary female artists are shaking up the territory.
From colonial statues and monuments for healing to heavy metal abstractions, a discussion at the Sydney Sculpture Conference questioned public art's role.
Lack of funding and limited touring opportunities are restricting the artistic development of Australian circus, but new initiatives are set to change that.
In his 2017 Philip Parsons Lecture at Belvoir, award-winning lighting designer Nick Schlieper asks: how can we turn the anti-subsidy trend around?
As the state’s election looms, the Queensland Greens’ candidate for McConnel, Kirsten Lovejoy discusses the party’s arts policies.
AsiaLink's founding director, Alison Carroll, reflects on the challenges of seeing our own culture as equal to those of Europe and America.
Playwright Ron Elisha reflects on the personal cost of the marriage equality campaign and the specious argument of ‘the slippery slope'.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
What qualities and skills are needed by today’s aspiring songwriters with sights on the international action? It’s a lot more than just rhythm and melody.
More Opinions and Analysis
O Romeo, Romeo…who is this lady?
The superhero team-up film gets the DC gang together in a routine, choppy and dull fashion.
Despite it's flaws, the true value of Midnight Feasts' Chrysalis is in challenging us to look in places we reflexively turn a blind eye to.
The temporal landscape on which this work is presented is a shifting one, one that speaks not only of the past and the future, but also of the here and now.
Opera Australia has a clear winner on its hands with this new reworking of Franz Lehár’s The Merry Widow.
Fine playing from a veteran HIP ensemble led by the exuberant British queen of the Baroque violin.
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