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Australia’s prestigious Helpmann Awards will leave Sydney and call Melbourne home for the first time next year.
Schenberg Art Fellowship recipient revealed; STC Patrick White Playwrights' Fellow announced; Blake Prize winner lauded; magicians mentoring, and more.
The fact that Cargo is an interesting pic with a great performance from an international actor turned out not to help. One duck steps out of line and the pic is done.
A connoisseur of irony? Here's some from the sales at Cannes, involving Netflix, Jafar Panahi and a heap of disappointed young people in China.
Arson has been ruled out as the cause of the fire which gutted the heritage-listed Carlton theatre on Saturday morning.
In a magic moment, an Australian film wins a rare, rare Palme d'Or for Short Film at Cannes.
A new Senior Curator at Monash Gallery of Art, Adelaide Fringe appoints Head of Industry and Artist Fund, and more.
Carlton's legendary La Mama Theatre, which last year celebrated its 50th anniversary, has been devastated by fire.
The local affection for the St Kilda Film Festival seems to be increasing year by year. Not just a film fest for audiences it is becoming tribal and transgenerational.
Minister for the Arts Gordon Ramsay recently announced changes to the funding process, which have been largely welcomed by organisations in the national capital.
Michael Ward has been a key policy insider for the ABC and the AFC over two decades. Here he works out the real cuts to the ABC since 2013. Finally - the right answer.
The sales of literary fiction and how publishers support it are in the spotlight following recent restructures at Penguin Random House.
The battle to save the extraordinary Capitol Theatre in Melbourne nears victory, as Lord David Puttnam joins the fight with more international muscle.
Cargo arrives for limited screenings in the one country where you can see it on a big screen. St Kilda Film Fest is ready to roll, Palace goes German and Breath has the call of the sea.
Hint: They were recently awarded a Pulitzer Prize.
The current Artistic Director of Melbourne Festival, Jonathan Holloway, will step down from the role after completing his fourth festival in 2019.
A strong opinion piece can enlighten and embolden a reader, while a poorly constructed argument can be noxious. So how do you create something insightful, relevant and engaging?
When you call a plumber do you stop and think "is this person getting paid?" No, because we have labour laws that ensure people are paid for their work. So why do we seem to accept that a different standard applies to workers in the creative industries?
From the horrors of child abuse to the violence of the Frontier Wars, art offers us the opportunity to face trauma, and to heal.
Last week's budget allocated $48.7M to commemorate the 250th anniversary of Cook's landing at Botany Bay. But controversy over Cook isn’t new – it dates back to the 19th century.
Are you having reservations about turning your freelance writing into a full time career? Lindy Alexander discusses her extraordinary year as a freelance journalist.
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors what's in the deal for them.
This week’s Meeting of Cultural Ministers has the opportunity to be ambitious and end the fight between sectors and art forms, argues NAVA's Esther Anatolitis.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
No budget cuts to Australia Council funding isn't good news.
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
More Opinions and Analysis
The Australian Good Design Awards celebrate excellence and innovation from around the world.
The writing, life and person of Simone de Beauvoir reimagined and expanded in a nuanced exploration of the vicissitudes of love.
HIR is a black comedy that dissects the dysfunctionality of family and the general disarray that describes life, and is easily one of the best works produced of late by Black Swan Theatre Company.
Rafael Bonachela's new work is stark and stunning.
The wisecracking superhero is back, once again trying to pass off snarky, self-referential gags as substance.
Angus Cerini’s award-winning play is magnificent, horrific and remarkable.
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