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Child viewing museum object.
Features

Is art and cultural history still relevant to the present?

From a First Nations lens to putting community-led conservation first, writer Vyshnavee Wijekumar examines the role of collections today, and…

Detail of repatriated Indian artwork from NGA Collection.

NGA repatriates 14 objects to India, valued at over $3M

Updated policy overlays ethical lens on collecting, with implications for First Nations collections, and ushering a next chapter for National…

a woman looking at a shiny round reflective sculpture in a gallery
Features

Galleries are our anchors amid COVID closures

Persistent, intermittent COVID gallery closures reveal what we miss most about their spaces and why they matter so much.

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Exhibition Review: A Biography of Daphne, ACCA

Ovid's myth of Metamorphoses inspires many artistic iterations.

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Exhibition Review: Vipoo Srivilasa: Wellness Deity, Linden New Art

Vipoo Srivilasa's exhibition at Linden New Art is a testament to the collaborative power of art.

New Bundanon Trust CEO Rachel Kent
News

Exit interview: Rachel Kent leaves MCA for Bundanon

After shaping the MCA's curatorial vision for two decades, Rachel Kent makes the leadership shift from Chief Curator to CEO…

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The digital pivot that yielded $2.6M is back

The Darwin Aboriginal Art Fair will again be presented online this August, demonstrating that the switch to online can be…

Career Advice

Executive Assistant to five state gallery directors, Lindsay Brookes’ insights are golden

Retiring after 34-years at AGSA, Lindsay Brookes offers wisdoms on why organisational history is important, and the ‘sticky role an…

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Exhibition Review: TarraWarra Biennial 2021: Slow Moving Waters

Australian artists explore ideas of slowness and the connection to Country.

Nina Miall. Photo Angela Willsallen.
Features

What does ‘international’ mean post pandemic for exhibition programming

As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…

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