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Nan Goldin. A group of people dancing the twist in a room.
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Exhibition review: Nan Goldin: The Ballad of Sexual Dependency, Art Gallery of Ballarat

Goldin's photos of the 1970-1980s are both intimate and confronting.

Blue bench with white text painted on it in a gallery setting.
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Exhibition review: Yucky, Adelaide Contemporary Experimental

A timely exhibition that explores notions of agency and choice by artists living with disability.

Jean Béraud, ‘The Entrance to the 1889 Universal Exhibition’ 1889, oil on wood. Image: Musée Carnavalet © CC0 Paris Musées/Musée Carnavalet – Histoire de Paris. A painting featuring a bustling scene of people gathering on empty ground with the Eiffel Tower in the distance, poles with French flag and trees. There seems to be excited among the crowd.
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An exclusive taste of historic Paris in Victoria’s heritage city

The Musée Carnavalet has developed an exclusive exhibition for Bendigo Art Gallery that will bring the dynamic atmosphere of turn-of-the-century…

ICONS. installation view of a black walled gallery with large colourful photographs hanging on the walls.
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Exhibition review: Steve McCurry ICONS, Seaworks Maritime Museum

Over 100 well-known Steve McCurry images are brought together at the Seaworks Maritime Museum this February.

Emil Cañita. A gloryhole made from a timber board reveals a seductive half-opened mouth with red lipstick and framed by black lace.
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At First I was Afraid: intimate and vulnerable photographs pay tribute to William Yang

Yang's works inspired Emil Cañita, who will soon be presenting their first solo exhibition at MARS Gallery.

'ICONS' featuring major works by Steve McCurry. Photo: Supplied.
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Steve McCurry's photos that spotlight people during conflict return to Australia

The US photographer is renowned for works with real-life impact, including the 1984 'Afghan Girl' portrait. Now his exhibition is…

Jahkarli Felicitas Romanis, ‘Burnt’ (cropped) as part of ‘Dis(connected) to Country’. Photo: Supplied. A photographic work showcasing the portrait with no facial features, overlayed with the red desert landscape.
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(Dis)connected to Country: mapping the intersections of place, identity and family

Jahkarli Felicitas Romanis interrogates the possibility of self-determination through photography.

Work by Tace Stevens showing as part of group exhibition ‘Only the future revisits the past’ at Centre for Contemporary Art as part of PHOTO2024. Image: Supplied. Photography work that captures a residential shed in the glow of early evening sunset. The shadow of two figures are reflected onto the wall of the building.
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Only the future revisits the past

The Centre for Contemporary Photography’s upcoming exhibition for PHOTO 2024 looks towards the past to speculate on future possibilities.

Installation view of ‘Telly Tuita: Tongpop’s Great Expectations’ at Campbelltown Arts Centre. Photo: Jodie Barker. Installation and photography works inside a spacious gallery with sky blue walls.
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Self-representation and cultural references in the work of Telly Tuita

Telly Tuita’s solo exhibition signifies a full-circle moment.

Titanic. Image is of a replica grand staircase from the ill-fated Titanic passenger ship, on display at Melbourne Museum.
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Exhibition review: Titanic: The Artefact Exhibition, Melbourne Museum

An easy one-hour amble through a well-trodden historical event with less focus on the Titanic’s artefacts than the exhibition title…

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