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Bangarra's Terrain at Sydney Opera House. The photo shows an Aboriginal woman dancing, caught mid-routine, with her right leg dramatically raised; her right arm is bent above her head. Other dancers are visible, kneeling on the stage behind her.
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Bangarra awarded prestigious Golden Lion by the Venice Biennale Danza 2026

The First Nations dance company, under the artistic direction of Frances Rings, will be the first Australian company to win…

A man seen from behind on a bushwalk through Yarraville, Victoria. He wears a cap, a loose shirt, shorts and sturdy boots as he walks away from the camera down a dirt track lined with ferns and trees. A camera is slung over his back, and he carries a slender brach as a walking stick. arts sector appointments
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On the move: latest arts sector appointments

Your weekly round-up of Australian arts sector appointments.

Songs of the Bulbul Aakash Odedra: a young male dancer in a white turban and robe photographed spinning with his eyes closed under a shower of red rose petals that are descending on him from above.
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Songs of the Bulbul review: Aakash Odedra unleashes exquisite freedoms at Perth Festival

In this dance performance, an ancient Sufi story of a caged Bulbul bird longing for escape is told with delicate…

Ludovico Di Ubaldo and Charles Dashwood in Ihsan Rustem’s Incandescence for West Australian Ballet's Ballet at the Quarry: Incandescence, 2026. Two shirtless male dancers, one with his back to the camera. The man facing the camera tender holds the other man's head in his right hand. A line of internally illuminated PVC piping physically seperates them.
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Ballet at the Quarry: Incandescence review: four world premieres danced under the stars

A Perth Festival staple, this outdoor performance features four new commissions, including Ihsan Rustem’s stunning Incandescence.

Making of a Man, Quindell Orton: a photo of a performer lying on a stage propped up with one hand under their head, seen under a spotlight wearing an opened white shirt showing a fake silicon naked male chest costume which is tucked into to grey trousers.
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Making of a Man review: 'genuine' masculinities on show at FRINGE WORLD

Foundations of masculinity are unpacked in Quindell Orton's excellent ‘one man’ dance theatre work, Making of a Man.

A dance sequence from Post-Orientalist Express, 2026. A shirtless male dancer poised on one foot with his arms extended; he wears a colourful headdress and costume.
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Post-Orientalist Express review: spectacle, parody, and the limits of post-orientalist dance in a festival economy

A fascinating but unresolved Sydney Festival production by avant-garde Korean choreographer Eun-Me Ahn.

A formal portrait of two men and an elderly woman. French Order of Arts and Letters
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Australian creatives awarded French Order of Arts and Letters

Dr Elizabeth Cameron Dalman AM and Tony Albert join the French Order of Knighthood.

The Royal Family Dance Crew to lead RISING 2026 program.
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RISING 2026 names global street-dance legends as first stars of festival line-up

Melbourne’s winter arts festival RISING 2026 is set for a shake up with the announcement of legendary The Royal Family…

Visualisation of the Ian Potter State Theatre. Image: NH Architecture.
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Melbourne's majestic State Theatre set to reopen six months ahead of schedule

Home to opera and ballet, Arts Centre Melbourne’s famed State Theatre will reopen its doors in October 2026.

Iksha II. Photo: Aesthete Captures.
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Iksha II review: myth made human at Seymour Centre

With brilliant dancers and bold ideas, Iksha II attempted to reframe the legendary figure of Ravana from The Ramayana.

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