Performance review: Son and Wolfgang’s Magical Musical Circus, Playhouse Theatre, QPAC
A Circa double bill featuring new work from First Nations-led ensemble Circa Cairns, and a family-friendly reimagining of Mozart and…
Performance Review: At the End of the Land, PICA Performance Space, WA
A non-linear and Lynchian solo performance, with visual and aural extravagances.
Theatre review: Whose gonna love ‘em? I am that i AM and Chase, Malthouse Theatre
First Nations Theatre collective A Daylight Connection presents a double bill that provokes, examines and entertains.
Theatre review: Shakespeare in the Garden – A Midsummer Night's Dream, Wollongong Botanic Garden
Merrigong Theatre Company's enchanting reimagining of Shakespeare's classic against a breathtaking natural backdrop.
Theatre review: How Do I Let You Die?, Arts House
Michele Lee’s autobiographical tale of Hmong parents, death and ghosts raises intriguing questions, which resonate with the migrant experience.
Theatre review: The Seagull, Roslyn Packer Theatre
A contemporary version of Chekhov's famous play shows 'The Seagull' has lost none of its relevance.
Theatre review: Vampire Lesbians of Sodom, fortyfivedownstairs
A night of queer spectacle jam-packed with laughs and all things camp.
Performance review: A Christmas Carol, Comedy Theatre
'A Christmas Carol' returns after a triumphant run last year, this time with Owen Teale as Scrooge.
Theatre Review: Dirty Birds, Heath Ledger Theatre, WA
'Dirty Birds' explores the off-centre symmetry of sisterhood in a context of anxious absurdity.
Theatre review: A Very Jewish Christmas Carol, Southbank Theatre
A repurposing of Dickens' classic tale with a gingerbread golem and a miser called Scroogavitz.