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Women leading the return of the guitar’s popularity
After declining guitar sales for over a decade, a turnaround is in sight, led by women and festivals like the…
Music review: Mzaza: The Birth and Death of Stars, Riverside TheatresÂ
Mzaza’s current Australian tour sees the world music favourites deliver a powerful concert experience with strong theatrical elements.
Festival review: Jean Paul Gaultier’s Fashion Freak Show, South Bank Piazza
This semi-autobiographical stage show exploring the French fashion designer’s life and career is visually splendid but, ironically, lacking in theatrical…
Musical Review: A Chorus Line, National Theatre
A new remount of a classic musical that still holds up well.
Celebrating connection and story: Canberra Symphony Orchestra’s 75th anniversary season
Jessica Cottis, Artistic Director and Chief Conductor of the CSO, discusses her 2025 season and the importance of commissioning new…
Music review: Soft Centre: Supermodel Late Night, Now or Never Festival, Trades Hall
A choose-your-own-adventure reeling through some of the most exciting experimental artists, but logistical constraints frustratingly made it almost impossible to…
Schooling music for the young
'Music in Me’ is a mentoring program that teaches the teachers.
Music review: Ben Frost/CORIN/ Eartheater/Gabber Modus Operandi, Now or Never 2024
An epic takeover of the Royal Exhibition Building took full advantage of the massive space with an incredible lineup.
Managing Director leaves MSO: Peter Garrett to conduct independent external review
Sophie Galaise has left the MSO after the Orchestra’s musicians made a statement of 'no confidence' in senior management.
Festival review: An Evening Without Kate Bush, Edinburgh Festival Fringe
Kate Bush may not be present on stage but Sarah-Louise Young does an excellent job of channelling the singer.
