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An editor wants to approach new talent in a way that's respectful, not tokenistic. Media Mentor Esther Coleman-Hawkins enlists some experts to help.
Writing about your art online is very different to catalogue copy. In this video we look at writing for an audience plus writing your own bio, blurbs and for social media.
The online version of the Melbourne International Film Festival tumbles out to its national audience, with a mix of ticketed viewing and streaming rolling out across August.
This week at the box office, audiences see the classics reimagined, the familiar rendered horrific – and an Icelandic film makes an unexpected splash.
It worked, says the Sydney Film Festival of its COVID-19 Defiance Edition, and reveals the numbers to prove it.
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