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Leadership role responsible for developing and leading First nations engagement
New students at our elite training institutions often have to undo the damage of bad amateur training before they can progress to professional level.
If you're organised, a good listener, good humoured and comfortable sitting with fear, being a producer might be the job for you, according to Perth Festival's Anna Kosky.
Nerves are normal and part of our human conditioning. These simple strategies can help you shine at your next audition, job interview or live presentation.
New interim directors for Montsalvat, a new CEO for No Strings Attached Theatre of Disability, board for new Arts Capital announced, and other announcements.
As 2020 closes, we look back at this article by Madeleine Dore who argues that courage more than confidence is what's needed for success in the arts. Perhaps now more than ever as we emerge from the pandemic?
Serving artists and creating a safe and welcome space for creatives of all backgrounds to work were Zara Stanhope's greatest intentions in her past role with QAGOMA, as she looks forward to her next chapter in New Zealand.
The government's plan to compel major online companies to pay the media barons has caused international ructions. But it could be made to work says Tama Leaver in The Conversation.
After four years of taking risks and trusting her instincts backed by passionate documentary makers and a determined staff, Alice Burgin will leave the AIDC.
Under the pressure of the pandemic, Screen Producers Australia has put together a tight, pungent program for its belated 2020 conference.
'Love and Neon' is a dazzling retrospective of eleven films from the master of longing, loneliness and ephemeral ecstasy, says critic Adrian Martin, admitting initial resistance to Wong's charms.
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