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Australian National Academy of Music
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From visual artists to musicians, theatre performers and dancers, Artback NT propels creatives onto the international stage while connecting remote communities to the national art sector.
In 2019 we have a unique opportunity to preserve and protect Indigenous languages.
The 50th anniversary of the SBW Stables Theatre in Kings Cross has been supported with a federal grant to Griffin Theatre Company, which calls the Stables home.
More aptly "wet" side story, the show on the harbour opened, but it was a lost opportunity as a classic line was favoured over a more contemporary.
Sliding between abstraction to quirky realism, the Tom Malone Prize for glass demonstrates that the medium is dynamic and current.
Moran Contemporary Photographic Prize semi-finalists announced, Indie Book award winners celebrated, 2018 Performing Arts WA Awards nominees revealed, and more.
An open letter from over 80 prominent Australians has criticised the proposed upgrade of this iconic Canberra institution.
.The Australian National Academy of Music (ANAM) is seeking a Business Manager.
Have you heard of 'Hermit Habits'? Sam Grover shares some smart advice on how to be productive and look after your well-being as a remote worker.
Creatives share the processes they use to face uncertainty, deal with feeling stuck, level-up in their arts careers, upskill, and prepare to change roles or careers.
This is the bit of making a living from art that nobody likes to engage with – the finances.
What are the benefits of the different paths? Both ways let you practice your art, and get paid for it, but both have very different sets of benefits and tradeoffs.
Perfectly placed, this production was performed at the intimate Genesian Theatre, where in the early 1970s a young actor called Nick Enright began working and performing.
The plot of The Overnight Kidnapper will puzzle most readers and keep them guessing to the end.
Hotel Mumbai has not picked up while the palpable sense of horror about Christchurch remains. But the US could do much better.
A touch of Seville in Adelaide’s Victoria Square from State Opera South Australia.
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