Sydney
Council path puts Sculpture by the Sea at risk
Despite a 22-year track record, community support and being a boon for local tourism, Sculpture by the Sea Bondi is…
Review: Once, Darlinghurst Theatre (NSW)
Enda Walsh’s musical is a classic boy-meets-girl romance with terrific singing and great chemistry.
Review: The Invisible Hand, 4A Gallery (NSW)
Freaked out about identity theft via your devices? This exhibition offers a darkly humourous twist on living with technology and…
Review: Diplomacy, Ensemble Theatre (NSW)
73 days after Notre Dame was ravaged by fire, Cyril Gely’s Diplomacy - depicting Paris’ near-obliteration by Adolf Hitler -…
Review: Dvorak’s Symphony No 6, Sydney Opera House
An exhilarating, muscular performance.
Review: The Return of Ulysses, Pinchgut Opera (NSW)
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
Review: Murder on the Wireless, Ensemble Theatre (NSW)
The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.
Review: Things I Know To Be True, Belvoir Theatre (NSW)
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.
Review: Love is the Message, The Message is Death, Sydney Opera House
Arthur Jafa’s video work explores police brutality and the contradictions of America today.
Busting opera wide open: the Pinchgut revolution
Ditching the curtain, delivering surpluses, and winning international awards, Pinchgut is a young company changing the face of opera in…