Reviews
Review: Murder on the Wireless, Ensemble Theatre (NSW)
The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.
Review: Rafiq Bhatia, The Jazzlab/MIJF (VIC)
The visceral harmonies of jazz and drone metal come together in true fusion.
Review: Things I Know To Be True, Belvoir Theatre (NSW)
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.
Review: A Forest, Dark Mofo (TAS)
Featuring works by a range of artists, A Forest is like a giant crumbling 21st century haunted house for adults.
Review: Bangarra: 30 years of sixty five thousand, Sydney Opera House
A showcase of the extraordinary athleticism of Bangarra's dancers and a celebration of their rich history in this land.
Review: RocoColonial, Hazelhurst Arts Centre
Artist and curator Gary Carsley presents a political and aesthetic mash up of two of the great historical moments, but…
Review: Michael Pignéguy, The Jazzlab/MIJF (VIC)
A night of jazz that says ‘jack of all trades, master of …’.
Review: NOCTURNAL + MIJF, Melbourne Museum
A night of jazz brought intimacy and excitement to the museum space.
Review: Julie Gough: Tense Past, TMAG (Dark Mofo)
The power of juxtaposition adds weight to an already potent exhibition at the Tasmanian Museum and Gallery.
Review: Love is the Message, The Message is Death, Sydney Opera House
Arthur Jafa’s video work explores police brutality and the contradictions of America today.