Reviews
Review: Australian String Quartet – Moore Beethoven Brahms (NSW)
A soundscape, brand new quartet and two classics.
Review: A Midsummer Night’s Dream, Charles Sturt University (NSW)
Charles Sturt University’s production of A Midsummer Night’s Dream revels in the incongruity and farcicality of lovers and couplings.
Review: Heisenberg, Arts Centre Melbourne
MTC has managed to pull off an intriguing, optimistic rom com that succeeds in both the romance and the comedy.
Review: The Three Graces, Theatre Works (VIC)
The aesthetically stylish production is strongest when it departs from realism.
Review: Lazarus, The Production Company (VIC)
The Production Company should be applauded for attempting to broaden their artistic horizons with this risk-taking yet woefully unsuccessful production.
Review: All About Eve, National Theatre Live
In the age of #MeToo, Ivo van Hove’s adaptation of the Hollywood classic feels dated despite splendid performances.
Review: Made to Measure, Seymour Centre (NSW)
Alana Valentine’s new play is a thought-provoking exploration of fatphobia with a snappy, moving script.
Review: The Line, State Theatre Centre of WA
CO:3’s latest production is a passionate exposition of historical injustice through contemporary dance.
Review: Dean Cogle: Beyond Nostalgia, HOTA Gallery (QLD)
The much-loved Gold Coast artist captured the region as many locals see it.
Review: Cunning Little Vixen, State Opera (SA)
A rapturous affirmation of life, love, and opera, with surprisingly contemporary themes.