Reviews
Review: When the Light Leaves, La Mama Courthouse (VIC)
Rory Godbold’s play illustrates the anguish of waiting to die.
Review: Sweeney Todd, Darling Harbour Theatre, ICC Sydney (NSW)
Strong performances can't quite conceal the fact that this production isn't entirely gripping.
Review: Dvorak’s Symphony No 6, Sydney Opera House
An exhilarating, muscular performance.
Review: Paper and Place, Gosford Art Gallery (NSW)
A sensitive and erudite two-person exhibition that digs deep into history, and yet finds contemporary currency through the medium of…
Review: Only the Penitent Shall Pass, Rosny Farm (TAS)
Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.
Review: Almost, Maine, Meat Market Stables (VIC)
A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.
Review: James Drinkwater, Newcastle Art Gallery (NSW)
From a Kenyan schoolyard, to making art on Berlin's streets, to Newcastle's sea pools, this exhibition reminds us that everything…
Review: The Return of Ulysses, Pinchgut Opera (NSW)
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
Review: Doppelgangster's Cold War, Prague Fringe Festival
It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.
Review: Siloam and Simon Denny’s Mine, Mona/Dark Mofo (TAS)
The Museum of Old and New Art’s new $27 million extension features artworks by Alfredo Jaar, Ai Weiwei and others,…