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Theatre Review: The Sum of Us (Perth Festival)
Yirra Yaakin’s The Sum of Us is a tale of a strong family bond, ageing, queerness and the dance we…
ICYMI: The week's top news in the arts
Sculpture by Sea needs help, life drawing on opera stage, WA's Fringe World outcome, QSO goes bush to perform, La…
Theatre Review: The Cherry Orchard (Perth Festival)
The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?
How the New Normal needs to become the Future Normal
While COVID brought us new conversations around digital pivots and hybrid working models, the real future normal is how to…
Opera Review: Bluebeard’s Castle, Opera Australia
This is a power-packed psychological opera squeezed into just 60-minutes, and manages to strike a contemporary #MeToo chord and questions…
Q&A: Artist Wiliiam Yang on growing up gay and Chinese
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity…
Opportunities and Awards Wrap
Queensland Music Awards announces new Innovation Award, NSW Musical Theatre Fellowship seeks applicants, Photo 2021 Perimeter prizewinner announced, and more.
2021 Kat Muscat Fellowship shortlist announced
The shortlist for the 2021 Kat Muscat Fellowship is comprised of a diverse group of writers whose work explores trans’…
The secrets to making it to middle age as an arts organisation
We speak with five arts organisations that have all reached the middle age milestone, to try and glean the lessons…
Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)
The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…
