Adelaide
Theatre Review: The Appleton Ladies’ Potato Race, State Theatre Company SA
A much-loved country tradition becomes the battleground for bigger issues.
Theatre that challenges ideas of Muslim Australian identity
When playwright Lur Alghurabi and ActNow’s CEO Yasmin Gurreeboo didn’t see Muslim Australians on stages, they created their own production.
ArtsHub speaks with $100,000 Ramsay Art Prize winner, Kate Bohunnis
South Australian artist Kate Bohunnis has won the Ramsay with a kinetic sculpture that explores the oscillation between function and…
The joys and challenges of making art for babies
Everybody has a right to a cultural life, including toddlers and babes in arms. The presentation of such work can…
New festival promises more than just bright lights on cold nights
Illuminate Adelaide, the nation’s latest winter arts festival, has released the first glimpse of its inaugural program.
Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)
The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…
Find the freedom to create your future in music and sound
Gear up for an exciting career in music and sound production with a TAFE SA course at Adelaide College of…
Review: Natsuko Plays Beethoven, ASO
Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
South Australia slowly returns to performance as usual
The first mainstage production in Adelaide post-COVID is preparing to open at the newly refurbished Her Majesty’s Theatre in September,…