Adelaide
Vale
Nikki Bloom's new play marks a disappointing end to the 2017 State Theatre Company South Australia season.
TARNANTHI: Festival of Contemporary Aboriginal and Torres Strait Island Art
In its second edition, and with a $17.54M boost from BHP, we take a look at Tarnanthi and its legacy…
Adelaide Fringe awards record $85k in grants to Australian artists
Fifteen artists and ensembles have received funding compared to nine the previous year.
Windmill Theatre Company launches new screen arm
The international success of feature film Girl Asleep has inspired the company to adapt more of its theatrical back catalogue…
Creating a new home for contemporary dance
How do you persuade your state government to give you $340,000 to transform an old picture theatre into a new…
How the arts respond to crisis
From indie artists to state companies, even the most skilled arts administrators are sometimes faced with catastrophe. What can we…
The UNESCO City of Music without a concert hall
The lack of a purpose-built, acoustically engineered concert hall is hindering the artistic development of the Adelaide Symphony Orchestra.
Richard III
There’s much to like but not enough to love in this intense but uneven Schaubühne Berlin production.
Saul
The acclaimed, much-awaited, sold-out production of Handel’s Saul was the opening night highlight of the 2017 Adelaide Festival.
Wot? No Fish!!
A deeply moving story about enduring love, told through pay packets, doodles, family memories and fishballs.