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Review: Storm Boy, Southbank Theatre (VIC)

Colin Thiele’s 1964 novel comes to the stage in this mesmerising MTC and Queensland Theatre co-production.

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Review: I love you Melissa, The Lock-Up (NSW)

How graffiti in a police cell led five artists to explore the thorny topic of love and devotion - The…

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Review: David Campbell is Back In The Swing Of Things, Adelaide Cabaret Festival (SA)

David Campbell swings Adelaide for one night only.

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Review: When the Light Leaves, La Mama Courthouse (VIC)

Rory Godbold’s play illustrates the anguish of waiting to die.

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Review: Dvorak’s Symphony No 6, Sydney Opera House

An exhilarating, muscular performance.

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Review: Sweeney Todd, Darling Harbour Theatre, ICC Sydney (NSW)

Strong performances can't quite conceal the fact that this production isn't entirely gripping.

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Review: The Return of Ulysses, Pinchgut Opera (NSW)

Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.

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Review: Paper and Place, Gosford Art Gallery (NSW)

A sensitive and erudite two-person exhibition that digs deep into history, and yet finds contemporary currency through the medium of…

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Review: Only the Penitent Shall Pass, Rosny Farm (TAS)

Swiss dancer Nicole Morel delivers tactile engagement with Andrew Hustwaite’s installation.

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Review: Almost, Maine, Meat Market Stables (VIC)

A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.

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