Reviews
Khaled Sabsabi's Between Suns reveals the depths of the artist's spiritual practice
Curated by Mikala Tai, this survey exhibition is a moving exploration of the artist’s connections with Sufism, community and family…
Anna Woods' debut novel LIT gives architects the thriller treatment
Anna Woods’ Kiwi thriller revolves around ill-gotten gains and three architects trapped in an eternal triangle.
The fairytales of the Brothers Grimm get a delightfully saucy makeover
Now on a national tour, Grimm is a twisted take on the tales of the Brothers Grimm that is bloody…
The Nightline review: dial into this surreal hotline and eavesdrop on sleepless strangers
Part theatre, part audio experiment, The Nightline transforms anonymous confessions into an immersive experience.
Do Not Go Gentle review: award-winning play makes Brisbane debut
Five residents of an aged care home relive Robert Scott's famous South Pole expedition in Queensland Theatre's Do Not Go…
Cut Chilli review: Australian race relations play is pacy, funny and thought-provoking
Chanturan Aran's Cut Chilli offers an important, and humorous, take on contemporary Australian race relations.
Death of A Salesman review: still relevant, still brilliant
Anthony LaPaglia and Alison Whyte lead a terrific cast in Neil Armfield's winning production of Death of a Salesman.
Fiddler on the Roof review: this joyous production pulses with life
Fiddler on the Roof, at Theatre Royal Sydney, somehow manages to be the show we need right now.
Margaret Olley: Australian Intimiste offers a new way to see a beloved artist
The National Art School delivers the near impossible: an expansive yet intimate show that shepherds fresh conversations about Margaret Olley.
Funeral Flowers review: a one-woman masterpiece at Red Stitch
Lucy Ansell delivers a knock-out performance in Funeral Flowers, a Scotsman Fringe First-winning play by British playwright Emma Dennis-Edwards.