Opera
Australian opera – a dying art?
Diminution, diversification, hybridity and new audiences are essential if opera is to thrive in the 21st century.
From birdsong to canon fire: Fly Away Peter’s operatic rendition
Sydney Chamber Opera will contemporise David Malouf’s Fly Away Peter into a symphonic feast at Carriageworks in 2015.
Shall we dance? Why Opera Australia staged The King and I
Why is a government subsidised company staging a work that falls squarely within the ambit of commercial theatre?
Creating a future for opera
Finding new audiences for old art forms means pushing both geographical and generational boundaries.
For the love of opera
Expect epic tales of sex, lust, revenge and murder feature in the State Opera of South Australia’s 2015 season.
Opera Review offers opportunity to hit high notes
The National Opera Review has the potential to highlight cultural and economic opportunities for Australia from a global art form.
Brandis releases terms of reference for national opera review
‘It’s not overly melodramatic to say we’re fighting for the survival of opera in Australia,' says OperaQ's Lindy Hume.
Arts Minister orders opera review
Senator George Brandis has appointed a three-member panel to determine if $32 million in federal funding is being well spent.
Glass half-full for State Opera SA
Adelaide opera-goers are booking for the full Philip Glass Trilogy, rather than for individual operas as expected.
Homophobia, Opera Australia and the Twitter-storm
What can the arts sector learn from the Tamar Iveri scandal?