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Describing himself as having ‘a passion for pedagogy,’ Professor David Shirley is keen to promote WAAPA on the world stage by promoting the extraordinary training opportunities it offers.
Drum roll… It’s the announcement we have all been waiting for. Carriageworks has named Blair French as its new Chief Executive Officer.
La Mama rises from ashes, Coburn's opera house curtains are raised, questions are raised over ABC budget cuts with election and we all raise a toast to volunteers and libraries this week.
Besides the big mess of unformed media policy which the Morrison government will have to face, it will do battle with an ABC which claims a unique halo of public trust.
Multi-sensory installation by Craig Walsh and the local community celebrates Bundjalung resilience, survival, and learning.
Bertolt Brecht, Acute Misfortune, 2040, Curse of the Weeping Woman and Cold Sweat - a good list after a tentpole frenzy.
WEYA is seeking a new Artistic Director
We speak with creative couples who haven’t let their work ruin their relationship.
Much attention is focused on those who have built a name for themselves in the arts, but careers in this sector are wonderfully varied. Here's why you don't have to be in the spotlight to be a success.
Not just one year -the Libs are promising that Auntie's evolution will be dominated by expanding cuts for the next three years.
Australia has been pretty comfortable with the blockbuster exhibition since the 1970s, but a new book unpacks what such exhibitions mean to the sustainability of art museums today.
Cultural commentator and long-time recapper Mel Campbell looks back at the show that won and broke so many hearts.
Pamela Adlon's tough, unsentimental comedy about stretched motherhood is just as good in its third season as in its first, writes Adrian Martin.
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