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Castlemaine Art Museum (CAM) is seeking a General Manager. CAM connects people through art, history, place and ideas, striving to be bold in its curation and interpretation of historical and contemporary art, sparking new connections and ideas.
Highly skilled and experienced people in the screen industry still feel reticent to promote themselves. Publicist, strategist and talent manager Karen Eck offers good advice.
With many in the sector working in administrative roles, we’ve asked arts leaders from Darwin to Hobart and Perth to Sydney to offer advice for those at the beginning of their careers.
To celebrate Ask A Curator Day, we posed 20 questions to 20 curators nationally, touching on topics from ethical responsibilities to working internationally, managing space, finding artists and curating for kids.
Facilitation and strategy, nurturing artists' ideas, and examining challenges at a macro and micro level simultaneously: arts administrators are the unsung heroes of the Australian arts sector.
In an unexpected turn, Kelly Gellatly has resigned as Director of Ian Potter Museum of Art, a decision triggered by a COVID rethink, and a stagnated building project and department restructure.
Pick one goal and focus on it, says Esther Coleman-Hawkins in our ongoing series of no nonsense career advice for screen professionals.
In two and a half years, Iris and Paul Anstey went from never having made a game, to having their dreamlike first title in PAX’s competitive indie showcase. How did they do it?
When you are not earning, a small amount of help can mean a lot. The screen and performing arts philanthropic funds are raising money with a unified approach.
Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.
Curated by Patrice Sharkey and Rayleen Forester, this is an ambitious survey exhibition of contemporary arts in South Australia.
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