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Next Wave is looking for is an exceptional individual with a passion for contemporary
With a regional gallery pedigree, topped off by diplomatic cultural relations, Sarah Schmidt brings a unique perspective to the Canberra Museum and Gallery, that positions the gallery within a broader lens.
It's been a crappy year. Take that broken heart and make some art, says Esther Coleman-Hawkins in this ongoing series of no-nonsense advice for screen professionals.
How do you know if it's time to call it quits or to stay on? A checklist to read before dealing with your creative career challenges.
Being an ARI Director is extremely collaborative, says Rebecca Gallo, an artist and founding member of Pari, in Sydney's West. Her view is that ARIs are moving away from the pay-to-play model, and are more accountable to communities.
If you have an ear for detail, an active imagination and technical know-how, working as a sound designer and composer might be the job for you, says Daniel Nixon.
At 4A, Mikala Tai fought for the legitimacy of contemporary Asian art in the Australian context. Her success is a message of hope in our journey to diversity and global acceptance.
A turn to older audiences underlies Rams, and gives a bit of bite to some imported flicks as well, as we get some US Hulu releases in our cinemas.
Our democratic hearts would love to see a broad sprinkling of glory but two productions dominated. All the winners are listed here and congratulations to them.
The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true for the in-situ show SITU-8.
Sam Missingham’s keynote address at SPN's Independent Publishing Conference acknowledged the success the publishing industry has had during COVID but warned that to be truly resilient and for recovery to take place, there’ll need to be plenty of forward planning and an investment in staff.
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