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'Future Remains: The 2024 Macfarlane Commissions', installation view at ACCA. A darkened exhibition space filled by an installation towards the foreground of the photo. It features terracotta sculptures on wooden plinths made with discarded material.
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Exhibition review: Future Remains: The 2024 Macfarlane Commissions, ACCA

Large-scale works grounded in material investigations shine at the 2024 Macfarlane Commissions, but is it still helpful to put emerging…

2026 Adelaide Biennial curator Ellie Buttrose. A middle-aged woman with pale skin and short cropped brown hair, wearing red lipstick, an orange shirt and black blazer. She is looking off to the side of the camera and smiling.
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2026 Adelaide Biennial recruits Ellie Buttrose as curator

The role will be a victorious homecoming for curator Ellie Buttrose after she assisted the Golden Lion-winning Archie Moore at…

Midsumma on the move, destination: unknown. A photo of three people moving a rainbow prop inside an office space with white walls and grey carpet. There is a trolley nearby and other storage times such as a signage with the word ‘Queer’.
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Midsumma in dire need of new office after being forced to vacate

Midsumma’s team was issued a 30-day notice ending tomorrow for their Hanover House location, despite being assured of tenancy until…

Andrew Rogers, ‘Flora Exemplar 2’, 2020, bronze diptych. Photo: Courtesy of the artist. Bronze sculpture resembling flowers in a natural setting.
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Rogers’ $6.1 million gift to university collection

Sculptor and land artist Andrew Rogers has gifted another 31 contemporary works to Deakin University to provide students access to…

Why is a Holden Torana next to a Henry Ottmann? Image: 'Namedropping' installation view at Mona. Photo: Mona/Jesse Hunniford. A car and a painting sit in juxtaposition across two starkly different exhibition spaces.
Features

Mona's big flex – how David Walsh wrote himself into the books

'Namedropping' is an all-consuming exhibition about questioning status, but by doing so, Mona owner David Walsh has cunningly bolstered his…

Night Trade at RISING 2024. Photo: Gianna Rizzo. People gathering in an alleyway where a bit screen is showing a white triangle with the word ‘up’. The image is saturated by red light.
Features

Has RISING risen only to face a future fall?

While celebrating record attendance and strong sales, RISING’s future still seems uncertain.

Hong Kong Dance Company's 'Convergence' touring to Sydney. Photo: Supplied. Two dancers engaged in martial arts movements on a stage. The stage floor seems to be a digital screen with black and white swirls.
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Driving cultural ambition with touring performances and global partnerships

Hong Kong is driving its arts and cultural strategy with touring performances to Australia and a global partnership with Art…

Photo: Markus Spiske, Unsplash. A brightly-lit space with artwork displays on walls and visitors walking about.
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Art Money pulls back in economic squeeze

Art Money, the interest-free financing platform for artwork purchases, has made the difficult decision to pause operations due to capital…

Sprung Ensemble member, Sinead Skorka Brennan in ‘O, How I Dreamt of Things Impossible’, 2020. Photo: Kate Holmes. A performer on a darkened stage with a colourful bodysuit. The performer lowered their body, supported by their arms and legs like a spider pose.
Features

What does a disability-led audition process look like?

With an ensemble call-out and funding for new work, Sprung Dance Theatre is building upon existing disability-led frameworks to expand…

Mary McGillivray and Nik Wyness share their insights on video content success. Photo: Supplied. McGillivray is a young Caucasian woman with short red hair, wearing a black sleeveless top and sitting inside a study space with yellow walls. Wyness is a middle-aged Caucasian man wearing a high-collared coat and glasses.
Features

Nine dos and don’ts of video content in the arts

‘Humour is the best way’, ‘be clear about your niche’, 'don’t try to be down with the kids’, plus more…

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