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Price first, design later - how the arts can learn from IKEA

Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the…

Features

Post-truth bullshit at Creative State Summit

A panel of artists and storytellers interrogate the slipperiness of post-truth at the Creative State Summit.

Features

From New York to New Zealand – how a coup is changing a gallery

ArtsHub speaks with Neal Stimler, The Met’s Public Engagement guru who is changing the face of the Auckland Art Gallery,…

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The waning shadow of the Tasmanian Gothic

Tasmanian artists are increasingly exploring themes which speak to contemporary life, including the island's history of protest and activism.

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Why wills and bequests are not just for philanthropists

Many artists, arts professionals and culture lovers have significant art collections, and yet few consider what their future value might…

Features

Why we need more queer audio dramas in Australia

The team behind LGBT audio drama 'Love and Luck' explain how they created a successful podcast that celebrates diversity, accessibility…

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The allure of art in the dark: why we love winter festivals

Recent years have seen rapid growth in the number of winter arts festivals, but is there more to their popularity…

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Why are 'feminine' crafts like basket weaving disparaged by politicians?

We don’t see such sneers at woodwork, metalcrafts or other "manly" pursuits.

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Art, politics, money: current issues for a revisited cultural policy

In this extract from the latest Currency House platform paper, David Throsby discusses important issues and areas for concern that…

Features

The ongoing impact of gentrification on artist run spaces

Gentrification is an ongoing issue for small arts organisations, but in the ARI space, it is particularly felt and in…

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