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Khaled Sabsabi, conference of one's self, 2026, Australia Pavilion. Six people stand in a large, dark space, contemplating the installed artwork, which consists of a series of eight very large paintings placed together in an octagonal pattern; we can see three of the purple and green paintings, which are brightly lit by projections cast onto their surfaces.
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Khaled Sabsabi reveals details of two installations at Venice Biennale

Khaled Sabsabi has described his two installations at the Venice Biennale as 'one body with two limbs'.

Jumaadi, Upside-Down Garden, 2025. Courtesy the artist and Lendlease. Image: Mark Pokorny.
Features

Upside-Down Garden by Jumaadi turns corporate Sydney on its head

The first large-scale public artwork from Indonesian-Australian artist Jumaadi flips the city’s built and natural environment upside-down.

Carsten Nicolai's installation Bausatz Noto (1998) at The Vinyl Factory: Reverb. A dark skinned woman wearing a red leather jacket and headphones listens to music at a desk of turntables. A rack of brightly coloured vinyl records stands behind her.
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London's The Vinyl Factory coming to ACMI for RISING

The Vinyl Factory: Reverb is an expansive exhibition about the grooves music has left in history and culture.

Architect's render of a public garden with a sculpture and people. Laak Boorndap
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Artists announced for Melbourne's major Laak Boorndap commissions

Public artworks by Brooke Wandin and Tarryn Love have been commissioned for Melbourne's new Laak Boorndap precinct.

Julia Phillips' Observer, Observed at Sydney Festival 2026. A man ion a white Terry Towling hat peers through a pair of bespoke binoculars, which form part of the artwork.
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Observer, Observed review: public art about public surveillance for Sydney Festival

Julia Phillips’ art installation on Pyrmont Bridge encourages us to reflect on our willingness to participate in the surveillance state.

Exhibition space with designed household objects in subtle tones. Design Craft Victoria
Features

Does a design exhibition look different when you hand your gallery over to Vogue’s style editor?

Reinventing how to work across sectors, Craft invited Joseph Gardner to centre makers in the design landscape.

Gallery view with woman in black with centre installation using polarising filters. Olafur Eliasson
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Olafur Eliasson's Presence review: art that physically reboots us

Always wanted to touch a rainbow? Or to see a cloud being born? Olafur Eliasson’s Brisbane exhibition Presence gives you…

Fremantle Biennale 2025: a large smokey empty room with 7 large black square shaped speakers suspended from the room while three young people are sitting on the floor looking at them.
Features

5 powerful highlights from this year’s Fremantle Biennale

The 2025 Fremantle Biennale brought to life over 25 ambitious, site-responsive artworks. Here are the five that stood out from…

Woman with grey hair looking into museum case with AI technology
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Data Dreams: Art and AI review: exploring artist-AI collaborations

Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…

Impressionistic painting of water with reflections and lilies. Monet. AGSA 2026
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Massive year for Art Gallery of SA, as it announces its 2026 program

From staging its first international winter blockbuster to the much-loved Adelaide Biennale of Australian art, AGSA's 2026 program is full…

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