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National Gallery of Australia leads with 2026 program release, but doesn’t raise the pulse
Rosalie Gascoigne survey, Arthur Boyd tapestries, car culture and Aboriginal-led major exhibitions define 2026 for the National Gallery.
Arts students with disability faced harsh odds 40 years ago – what’s different now?
The Executive Director of one of our largest disability arts organisations, DADAA, identifies positive changes in tertiary arts training, but…
Melbourne Fringe 2025: a review diary
A selection of short reviews from the 2025 Melbourne Fringe Festival; rolling coverage which will be regularly updated.
‘You can't unread a smile’: Nell opens joyful 30-year survey Face Everything
Nell talks to ArtsHub about simplicity, spirituality and the difficult task of choosing work for her major survey at Heide…
Circus De Licious review: promising variety show doesn't quite hold together
The Circus De Licious performers brought energy but the Melbourne Fringe show lacked cohesion.
Elixir Revived review: brilliantly ocker acrobatics at Melbourne Fringe
A sophisticated subversion of masculinity, Elixir Revived asks what acrobats would get up to in a zombie apocalypse.
The Lucky Country review: 'absolutely, vitally funny'
A genre-hopping musical comedy, The Lucky Country tackles the question of national identity with real heart and humour.
Mike Hewson’s The Key’s Under the Mat review: arty playground is joyous and chaotic
Mike Hewson shatters taboos and transforms the Art Gallery of NSW’s Tank space into a light-filled, living playground.
Circus Centre Melbourne opens its doors
Envisaged as a creative hub for circus development and training, the new Circus Centre Melbourne opened on Monday and is…
Krishna Istha's First Trimester: 'Many people are open to giving sperm'
In the ultimate crowd participation show, the trans would-be parent Krishna Istha looks for sperm donors in the audience.
