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detail of video of Amazon Rainforest by artist Richard Mosse
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12 international blockbusters right here to blitz your travel FOMO

12 major international exhibitions presented in Australia before the year ends … so who needs to travel?

News

Policy unveiled to back ACT’s cultural ambitions

With a $10 million budget boost and $28.44 million for the redevelopment of Canberra Theatre Centre, the state has embarked…

Glass object on shelf at Canberra Glassworks
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Exhibition review: Annette Blair and Kate Nixon, Canberra Glassworks

Two news exhibitions at Canberra Glassworks speak of everyday objects and detritus, but they couldn’t be more different.

NGA ceremony
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Powerful narratives showcased in First Nations exhibition

The 4th National Indigenous Art Triennial shows for another month at the NGA before touring to connect with local communities.

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How the arts excel at communicating big ideas

The distinctions between law and justice are explored in a new Street Theatre production inspired by the capture of drug…

a woman standing against leather benches in Old Parliament House, Australia
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Exit Interview: Daryl Karp AM, Museum of Australian Democracy

After nine years in the role, the Director of the Museum of Australian Democracy (MoAD) is moving on.

Red velvet curtains are drawn aside to provide a glimpse of an exhibition, with posters and other artefacts visible on walls and in display cases.
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Preserving the memory of Australia’s performing arts heritage

Did you know Australia’s oldest surviving printed document is a theatre playbill? These and other treasures are now showing in…

Glass sculpture by artist Kirstie Rea at Canberra Glassworks exhibition
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Exhibition Review: Upending Expectations, Canberra Glassworks

An exhibition that pushes the reach and definitions of contemporary glass.

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Exhibition review: Shakespeare to Winehouse

Over 80 portraits from 16th century to today on loan from the National Portrait Gallery London.

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Triennial: a case for less is better in a complex world

Curator Hetti Perkins renews and extends our perceptions of Ceremony in her fourth Indigenous Triennial.

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