Museums
Rethinking performance, exhibition and documentation through dance
From dance experimentations in the 70s to more recent performance-exhibitions, what does it mean to look at dance in a…
Curators' responsibilities in spotlight as Chinese audiences feel 'let down'
A group of Chinese students have raised concerns over the curatorial approach of a show depicting some of the country's…
Where science and the natural world converge through the arts Â
A diverse range of art forms are being used to communicate serious scientific and natural world facts in fun and…
Gallery wall labels: short, long, digital or none at all?
ArtsHub takes a look at the shifting dynamic around gallery didactics: what has changed, and are we doing wall labels…
Powerhouse Photography launches inaugural program
Powerhouse Photography announces acquisitions, workshops, internships and Hayley Millar Baker as a new Advisory Group member.
Regional gallery conference tackles the pressure points
Soundbites from regional galleries conference to trigger new thinking around topics of diversity, sustainability, disaster preparedness and more.
Exhibition review: Peter Booth, TarraWarra Museum of Art
From grotesque humanity to lonely snowdrifts and lush waterfalls.
I was a museum's Black Lives Matter hire
This conversation pulls back the layers of idealism and discusses what it means when new race-based hires are not provided…
Significant object heads home to Tasmania after 230 years
After a 230-year absence, a rikawa has returned to Tasmania for an exhibition with deep cultural significance.
Exhibition review: We Are Electric, UQ Art Museum
An exhibition about energy that promotes the collective over Darwin's theory of 'survival of the fittest'.