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Music Review: The Masque of the Red Death (MONA FOMA)

When gothic horror meets gothic humour, it’s gotta be MONA FOMA.

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Exhibition Review: Djillong Dumularra, Artspace (Sydney Festival)

Solid conceptual framing, but does it get lost in festival fever? Artspace focuses on First Nations conversations for Sydney Festival…

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Dance Review: All Expenses Paid, Stompin (MONA FOMA)

Stompin's latest work was originally supposed to be presented in April 2020, and has benefitted from the extra-long development process.

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Performance review: Bhoomi: Our Country (Sydney Festival)

A collective of musicians, dancers and writers weave ancient texts, myths and traditions into a recital exploring collective connection to…

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Performance Review: Circa’s Humans 2.0, Carriageworks (Sydney Festival)

A riveting piece of contemporary circus that celebrates the group over the heroic individual and explores notions of trust and…

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Exhibition Review: Wendy Sharpe: Ghosts, Mosman Art Gallery

Wendy Sharpe’s exhibition possesses an undeniable, animal vibrancy, giving breath to shared anxieties, frustrations and ennui.

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Book Review: Wild by Kirsten Hannah

Kirsten Hannah’s story-telling is compelling.

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Theatre Review: Shrek the Musical, QPAC

An unlikely hero, Shrek is a solitary ogre abandoned by his parents when he was seven but, underneath the gruff…

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Exhibition Review: Space YZ, Campbelltown Arts Centre (Sydney Festival)

At a time when many of our art schools nationally face perilous cuts and closures, this exhibition curated by Daniel…

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Book Review: Living with the Anthropocene

Edited by Cameron Muir, Kirsten Wehner and Jenny Newell, these excellent essays speak more of loss than of hope.

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