Reviews
Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe
Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…
ADT’s Faraway review: a writhing, driving techno-primitive delight at Adelaide Festival 2026
Choreographed by Jenni Large, ADT’s Faraway is a rich, erotically charged work, the dance equivalent of howling orgiastically at the…
Yield Strength: Adelaide Biennial review: grunge rupture and eloquent overlays
Yield Strength: Adelaide Biennial is a bold exhibition that challenges the institution, expectation and materiality in our times.
Star Scum City review: 2charm’s debut album is an electropop ode to summer
Melbourne’s 2charm delivers a sultry, bold and queered vision of summer love.
The Booster Protocol review: playing games with pvi collective at Perth Festival
Participants in The Booster Protocol must complete tasks as they move through a guided tour, but is social justice really…
Scenes from the Climate Era review: WA Youth Theatre tackles hope and purpose at Perth Festival
Climate change is a difficult topic to bring to the stage, but the young performers in Scenes from the Climate…
The Art of Storm-Whistling: a mythical maritime story at Adelaide Fringe
The Art of Storm-Whistling follows a mythical journey across the seas.
Team Viking review: a hilarious, heartbreaking and healing masterpiece
The remarkable Team Viking was one of the standouts of the Adelaide Fringe opening weekend.
U>N>I>T>E>D review: Chunky Move's machine-led experiment missing some magic at Perth Festival
Billed as an exploration of machine mysticism, Chunky Moves' latest dance work is not as transcendental as it could be.
The Doll Trilogy review: Red Stitch makes a marathon feel like a sprint
My word, she’ll be right… Ray Lawler’s pioneering The Doll Trilogy still makes for a stimulating day (and night) in…