Reviews
Exhibition Review: Adelaide//International, Samstag Museum of Art
Speculations on the future, and our complicity in it, are at the heart of these four exhibitions featured at Adelaide…
Theatre Review: The Sum of Us (Perth Festival)
Yirra Yaakin’s The Sum of Us is a tale of a strong family bond, ageing, queerness and the dance we…
Opera Review: Bluebeard’s Castle, Opera Australia
This is a power-packed psychological opera squeezed into just 60-minutes, and manages to strike a contemporary #MeToo chord and questions…
Book Review: Monsters – a reckoning by Alison Croggon
Croggon’s background as a poet is tangible, and her language in Monsters is flavoursome.
Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)
The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…
Theatre Review: House (Perth Festival)
A story of such depth and nuance that there is enough to tantalise both children and adults alike.
Theatre Review: STC's Playing Beatie Bow
A joyful production to appeal delightfully to young and old.
Theatre Review: Fangirls (Adelaide Festival)
A sassy musical that looks into the heart of being a boyband music fan.
Exhibition Review: Clarice Beckett: The Present Moment, Art Gallery of SA
Take a stroll through the sunlight and shadows with the works of Clarice Beckett.
Book Review: Growing up Disabled in Australia edited by Carly Findlay
Black Inc’s 'Growing Up' anthologies showcase the first-person experiences of people from a range of marginalised groups. It’s newest offering,…