Features
Craft is in crisis – but it seems only in Australia
As craft is enjoying unprecedented visibility globally, why is Australia dismantling the very institutions that sustain it?
Christopher Nolan was the wrong director for The Odyssey
The Odyssey is written, produced and directed by Christopher Nolan, but he's missed all the wonder and painted the epic…
So long, Sam Neill, and thank you
With a career spanning over 150 credits, it's hard to know where to start with Sam Neill's contribution to our…
Jayson Gillham vs the MSO: should artists keep their politics off the stage?
The recent Gillham vs MSO decision raises a raft of questions about art and politics, and the place of artistic…
7 great werewolf films to howl at before Robert Eggers’ Werwulf
Howl at the moon, the time of the werewolf is nigh.
Artists from the Asia Pacific stand out at international theatre festival
Of more than 30 theatre shows at this year's Theater Der Welt festival in Germany, these three productions from the…
In the limelight: latest arts prize winners and career milestones
This month, we celebrate Mike Hewson's successful exhibition, the artists heading off to Lyon, and the winner of the FUSE…
Theatre of the World interview: the Chilean artists tapping into puppetry's power
Chilean theatre company Silencio Blanco uses puppetry to create powerful, documentary-style theatre works that are now touring the world.
Australian musicians hate AI using their songs, but have little legal protection
When it comes to AI, musicians are likely to find it much harder than authors to prove when a copyright…
CircusWA's young artists tackle the Anthropocene, and visa issues, in Eclipse
CircusWA talks to ArtsHub about its latest production, Eclipse, and the heartbreak around its missing artist.