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2026 season announcements: our rolling guide to the performing arts
Orchestras, recital centres, theatre companies and more: we're compiling a list of 2026 season announcements, to be updated regularly, for…
Dangerously Modern review: fearless women artists who disrupted the male canon
Rewriting Australian art history, ‘Dangerously Modern’ at the Art Gallery of NSW is equally erudite and entertaining.
Brazen theft at The Louvre targets prized jewellery collection
It only took four minutes, in broad daylight, to close the world’s most famous museum in a daring heist, with…
Fell review: Luke George’s performance leaves you hanging
Performed in a working saw mill, Luke George rivets audiences in a highly physical and poetic work for The Unconformity…
The Unconformity review: a festival that finds its own way
One of Australia's most remote arts festivals has no problem drawing audiences for its unique embedded, and genuine, program.
National Gallery of Australia leads with 2026 program release, but doesn’t raise the pulse
Rosalie Gascoigne survey, Arthur Boyd tapestries, car culture and Aboriginal-led major exhibitions define 2026 for the National Gallery.
Arts students with disability faced harsh odds 40 years ago – what’s different now?
The Executive Director of one of our largest disability arts organisations, DADAA, identifies positive changes in tertiary arts training, but…
Melbourne Fringe 2025: a review diary
A selection of short reviews from the 2025 Melbourne Fringe Festival; rolling coverage which will be regularly updated.
‘You can't unread a smile’: Nell opens joyful 30-year survey Face Everything
Nell talks to ArtsHub about simplicity, spirituality and the difficult task of choosing work for her major survey at Heide…
Circus De Licious review: promising variety show doesn't quite hold together
The Circus De Licious performers brought energy but the Melbourne Fringe show lacked cohesion.
