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Book review: Everyone In My Family Has Killed Someone, Benjamin Stevenson
Funny and ingenious, this is an exemplary contribution to the detective genre.
Triennial: a case for less is better in a complex world
Curator Hetti Perkins renews and extends our perceptions of Ceremony in her fourth Indigenous Triennial.
Future proofing the arts for natural disasters
As losses from recent natural disasters continue to mount, future-proofing arts infrastructure is in focus.
RISE’s last hurrah a rare budget positive
Other than a final $20M for RISE, there's little for the sector to celebrate in the 2022 Federal Budget.
Opportunities and awards wrap
Call outs for churchie emerging art prize, Scribe Varuna Fellowship plus winners of the 67th Blake Prize, 2022 Matilda Awards…
Dance review: Siren Dance
Seductive and transformative, the siren's call is strong in this production.
Book review: The Sorrow Stone, Kári Gíslason
An historical fiction set in Iceland is rich with detail about societal and cultural mores.
Theatre review: It's Dark Outside
Dementia as seen through a multimedia performance returns for an anniversary production.
Opera review: The Phantom of the Opera
Delivering steroid-size spectacular wow and performances to match, this year's Handa Opera on the Harbour hits the highs.
Exhibition review: INVISIBILITY
An exhibition that melds art and science, with a deeper look into data gathering and control.