theatre
What happens when theatre is informed by lived experience
'Breathe In' by Brenden Borellini, Georgia Cranko, Alison Richardson and Crossroad Arts is a prime example of powerful theatre informed…
'It's an Australian play': how a new CALD theatre company is turning the tables on diversity
‘Akaraka’ and Empty Seat Theatre are built by creatives who hope to lead change by example, one show at a…
La Mama to pause public performances in 2025 after unsuccessful funding bid
Caitlin Dullard, CEO and Director, has released an update on La Mama's plans for the future.
So you want my arts job: Playwright
Emily Sheehan shares the realities of her work as a playwright, her advice for others starting out and crucial skills…
Daring and intergenerational circus acts on the festival circuit
Circus shows from performers ranging from youths to sexagenarians are heading for MICF and Adelaide.
Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival
A smorgasbord of cabaret, theatre and live music at the Sydney Festival.
Theatre review: A Body at Work, La Mama
A dynamite debut solo from Frankie van Kan that delves into the world of strip clubs and sex work.
Performance reviews: Ruff Trade and Trans Woman Kills Influencer, Midsumma Festival
‘Trans Woman Kills Influencer’ leans into the modern day, while Steven Dawson’s ‘Ruff Trade’ is a devilishly good tragedy set…
Creative development – a work in progress
What should creative development opportunities entail and look like today? ArtsHub attempts to find out.
A cubicle of one’s own
A one-woman show set in a bathroom and detailing trans experiences that goes from being vulnerable to fiercely unapologetic.