What happens when theatre is informed by lived experience

'Breathe In' by Brenden Borellini, Georgia Cranko, Alison Richardson and Crossroad Arts is a prime example of powerful theatre informed by lived experience.
L to R: Autumn Skuthorpe, Brenden Borellini and Georgia Cranko. Photo: Luke Monsour, Bulimba Studio. Three people stand on a stage behind a clear podium at the Matilda Awards. Skuthorpe has long curly brown hair, rosy cheeks, and an aqua-coloured dress. Skuthorpe is writing on the palm of Borellini, who has closely shaved hair, short grey stubble and wearing a black suit. Cranko has short curly brown hair, wearing a black vest and grey pants.

Mackay-based Crossroad Arts Production took out three wins at Queensland’s recent Matilda Awards, for Breathe In, a piece informed by the lived experiences of co-creators Brenden Borellini, Georgia Cranko and Alison Richardson, as people who use alternative methods of communication.

Breathe In was crowned with the Judges’ Award, the Lord Mayor’s Award for Best New Australian Work, and Best Video Design for Freddy Komp. It was celebrated ‘for breaking new ground in integrating multiple communication modes within the artistic process’, including signing, touch, palm-writing, text-keyboard, audio-describing, captioning, voiceover, movement and theatrical devices such as projection and live music.

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Celina Lei is an arts writer and editor at ArtsHub. She acquired her M.A in Art, Law and Business in New York with a B.A. in Art History and Philosophy from the University of Melbourne. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Celina is based in Naarm/Melbourne.