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AFTRS Master of Art Screen: Business 2018 graduate and current Head of Commissions NITV, Marissa McDowell. Image: Courtesy SBS.
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Find your screen industry collaborators with endless possibilities

AFTRS’ Master of Arts Screen: Business boasts a cohort of like-minded professionals who are on the same track to innovate,…

Opinions & Analysis

How ‘mental health’ has been reimagined in the workplace

Good mental health in the arts won’t happen until we see people with lived experienced enabled and included as leaders…

Immersive experience. Image is of multicoloured tree trunks without leaves and a blue pathway leading through them.
Features

A look at the immersive shift in Australia's cultural sector and how to fund it

REMIX Summit 2023 in Perth delved into "The Immersive Revolution" and what this could mean for funding models in Australia.

Features

Where do the creative industries actually get their money?

The latest A New Approach (ANA) report aims to dispel the myth that Australian creative industries mainly rely on government…

News

The launch of Creative Australia to welcome new era

Appointees announced for Creative Australia board, Music Australia Council and Creative Workplaces Council.

Features

The daring future of sovereign Blak storytelling

ArtsHub speaks with YIRRAMBOI Festival and new First Nations theatre company A Daylight Connection, about bold and experimental First Nations…

A series of blue and white screen printed workers uniforms, arranged like a shopfront display. They feature the writing '(DON'T) BE AN ARTIST' in a newsprint style.
Opinions & Analysis

Are we missing an opportunity when we say ‘arts jobs are real jobs’?

Who are we leaving behind when we justify artist work on the system's terms? Are we missing an opportunity for…

Features

Iconoclastic and empowered: the new wave of Middle Eastern Australian women writers

MENA women writers are gaining momentum in major literary prizes and across the nation’s bookstores, but is this movement iconoclastic?

Features

The "helping" hand of allyship: Indigenous art, authenticity and politics

A look at the fraught disparity between non-Indigenous arts workers and the Cultural obligations of their Indigenous counterparts, as well…

A typical 20th century landscape painting hangs on a white wall, with capitalised letters written across, “what would our public collections look like if we divested them of sex pests and paedophiles?” A sculpture of a realistic dead horse lies at its feet.
Features

Can we separate art from the artist?

When genius artists act in less than genius ways we are forced to confront what "genius" means. Some contemporary Australian…

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