Exhibition
Two women who rewrote Australian Modernism
A sculptor and a spiritualist are an unlikely pair to have shaped the history of Australian art, both now recognised…
Lisa Havilah on programming for the future
Climate change innovation. Studio ceramics. Eucalyptus. Persian artefacts. Diversity is the key to Powerhouse’s 2021 program, as it steps into…
11 must see First Nations Exhibitions in 2021
From tracking ancient Songlines to the most contemporary artworks by First Nations artists, we pinpoint 11 must see First Nations…
Calling ambitious artists to lead contemporary textile practice forward
No longer boxed in by traditional boundaries, contemporary textiles present as a dynamic and bold frontier nurtured by the Wangaratta…
Stats out on Biennale of Sydney; we take a look at COVID’s impact
Despite cutting its staff by half as COVID hit, the Biennale of Sydney delivered over 600 programs to audiences, and…
Exhibition Review: Space YZ, Campbelltown Arts Centre (Sydney Festival)
At a time when many of our art schools nationally face perilous cuts and closures, this exhibition curated by Daniel…
Exhibition Review: Know My Name, National Gallery of Australia
Shown where the NGA's International Collection sat traditionally, Australian women artists have usurped the power position with Know My Name…
Review: 2020 Biennale of Sydney (NSW)
Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate…
Review: Terminus, Heide Museum of Modern Art (VIC)
Jess Johnson and Simon Ward’s exhibition combines virtual reality, textile works, and retrofuturistic aesthetics.
Review: The Quiet Activist: Juno Gemes Survey, Macquarie University Art Gallery
Aptly titled 'The Quiet Activist', this survey by Juno Gemes does more than capture a social or political zeitgeist –…