Audience Development
The digital pivot that yielded $2.6M is back
The Darwin Aboriginal Art Fair will again be presented online this August, demonstrating that the switch to online can be…
New report reveals how the arts can survive and thrive with digital engagement
The Australian Council latest research demonstrates changes in audience expectations with the increasing digitisation of our arts economy, but also…
Resourcing creatives by removing the fear of business
Led by like-minded creative practitioners, Creative Plus Business gives you the skills to ramp up your creative business and assert…
What does ‘international’ mean post pandemic for exhibition programming
As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…
9 ways you can support NAIDOC week while in lockdown
Do you love engaging with First Nations arts and culture during NAIDOC Week? Here is a list of ways you…
Revealed: How New Zealanders feel about the arts
A look at Creative NZ’s just-released triennial survey, giving an in-depth insight into how Aotearoa views the arts.
165 years on, SA Museum Director speaks on the shifting museum lens
ArtsHub speaks with South Australian Museum Director Brian Oldman on research, repatriation and retelling truths, on the Museum’s 165th anniversary.
Five facts about getting the Met Masterpieces exhibition to Brisbane
Was it a coup? How did these paintings travel during COVID? What was the bill? We dive into the details…
ICYMI: The week's top news in the arts
$1.2 million sculpture commission for War Memorial, Bell Shakespeare's Hamlet tour dates, Refugee Week programming, plenty of festival announcements, and…
Powerhouse Ultimo is here to stay as design museum with $480M investment
Biggest investment in the arts since the Sydney Opera House, NSW Government commits $500 million to Powerhouse Ultimo, on top…