Flexible thinking replaces old subscription models

The pandemic has forced new ways of thinking, including new approaches to subscriptions and seasons.
The four members of the Australian String Quartet sit under a bridge holding their instruments.

The changes wrought by COVID have been felt far and wide across the sector. While the rise of live-streamed performances has been a welcome and overdue adjustment to business as usual in the performing arts, other impacts – such as rehearsals held via Zoom – have been disruptive and draining.

Sydney Theatre Company, for instance, is presenting its 2022 season across a series of acts, with only the details of Act One currently announced. A different approach has been taken by the Australian Brandenburg Orchestra, which has responded to our uncertain times by offering a flexible Compose Your Own subscription season. For others, it’s very much business as usual. 

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Richard Watts OAM is ArtsHub's former National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the 2019 Sidney Myer Performing Arts Awards' Facilitator's Prize in early 2020. He received a Lifetime Achievement Award from the Green Room Awards Association in 2021, and a Medal of the Order of Australia (OAM) in June 2024. Photo: Fiona Hamilton. Follow Richard on Bluesky @richardthewatts.bsky.social and Instagram @richard.l.watts