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Finding new audiences starts with centring the margins
Revolutionary change was the theme of Bryan Joseph Lee’s keynote at Performing Arts Connections Australia’s conference this week.
Review: Hair, His Majesty’s Theatre (WA/national)
This revival of the classic 1960s musical absolutely lets the sunshine in.
First woman chair for West Australian Ballet
Woodside executive Sherry Duhe takes over to lead WA Ballet’s Board.
Applause: Latest funding and awards announced
Reko Rennie awarded Artbank and ACMI commission, winners announced for 2019 Our Mob emerging artist and MIFF Audience Award, plus…
Review: The Tempest, Trinity Parish Hall (QLD)
Zen Zen Zo’s physical theatre interpretation of Shakespeare is compelling and immersive.
Theatre that fights our inertia on the climate crisis
In their new immersive eco-horror, Sarah Aiken and Rebecca Jensen of Deep Soulful Sweats craft a dark, hopeful and irreverent…
A Fresh Face Takes Geelong Arts Centre in a New Direction
The city’s performing arts centre is rethinking what it is to open up new artforms and spaces.
A fresh face takes Geelong Arts Centre in a new direction
The city’s performing arts centre is rethinking what it is to open up new artforms and spaces.
Kate Mulvany scoops the AWGIES
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
Review: Endgame, Civic Theatre Newcastle (NSW)
The Very Popular Theatre company’s production of Beckett’s play is spirited and faithful.
