Search Results
Review: The Boy I Paid For, Midsumma Festival (VIC)
There are moments of gentle humour and intimacy in this production but the story is indulgent and implausible.
Film review: Present Laughter, National Theatre Live
A deliciously camp version of the Noël Coward play, direct to Australian screens from the London stage.
Review: Eyes Wide Woke, Midsumma Festival (VIC)
What starts as a funny and relatable exposé of middle-class hypocrisy becomes uncomfortably screamy, shouty and stereotypical.
Review: The Life of Us, Hayes Theatre (NSW)
An absorbing and intimate new Australian musical exploring long-distance love.
Review: Don Giovanni, Sydney Opera House (NSW)
Opera Australia’s revival run of Sir David McVicar’s production is part revelatory – and part not.
It’s street art – but not as you know it
The inaugural Can’t Do Tomorrow urban and street art festival will pack a multi-level warehouse space with locally produced art…
SongHubs - pushing Australian screen composers into spooky new worlds
Rescued from solitude, Australian screen composers and songwriters cross pollinate like crazy in Los Angeles hothouse.
Who was awarded 2020 Australia Day honours?
Wesley Enoch, Rachel Griffiths and Tim Minchin are among those honoured on Australia Day for their contributions to the arts.
On the Move: Latest sector appointments and departures
Australia Council appoints an executive director for arts investment; meet Co:3's marketing manager and artist in residence; leadership change at…
Exit interview: Lee Lewis, Artistic Director, Griffin Theatre
After eight years at Griffin, Lee Lewis is moving on to a new role at Queensland Theatre. She reflects on…
