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Review Pinchgut Opera: Hasse’s Artaserse

Four-time Grammy Award-nominated special guest star Vivica Genaux shines.

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Review: The Merry Widow, Adelaide Festival Centre

The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.

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Review: Candide, Sydney Opera House

A rare outing of a problematic yet effervescent American operetta.

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Review: The Turk in Italy, Sydney Opera House

Loads of fun.

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Review: Der Rosenkavalier, Melbourne Opera

A voluptuous, comedic romp where young love triumphs over all in the style only opera can provide.

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Review: Aida, Opera Australia

A new tech era for Opera Australia delivers artistically, while operatically tradition held strong with phenomenal singing.

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Review: William Tell by Victorian Opera, Palais Theatre

Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.

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Review: Rigoletto by Opera Australia

Classic opera; classic revenge, classic tragedy. Rigoletto's big opulent sets are matched by big voices and big entertainment.

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Review: Lucia di Lammermoor by Opera Australia

A minimal set only serves to punch this opera into high voltage as the soloists offer a tour de force…

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Review: Handel's Athalia by Pinchut Opera

Pinchgut's production of Athalia is a rare chance to see this work. Athalia is musically excellent with a solid staging.

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