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A dark-haired man in a colonial American military uniform, complete with cavalry sabre at his side, faces towards the camera. A group of dancers in similar uniforms pose dramatically behind him.
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Musical review: Hamilton, Sydney Lyric Theatre, The Star

‘Hamilton’ has returned to Australia. It’s slick, spectacular and runs like clockwork – but remains dogged by some fundamental issues.

A dark-haired white woman wearing a grey jumper, a brown checked dress and white shoes stands onstage in what could be a bland office set. Three blue chairs are lined up against the rear wall, upon which is projected the face of an older man in a suit and toe. A dying pot plant stands in one corner of the room.
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Theatre review: Arlington, Reginald Theatre, Seymour Centre

The first Australian production of Irish playwright Enda Walsh’s ‘Arlington’ is challenging, confounding and stunningly original.

Four soldiers in shadow standing in pairs in the background. In the foreground are two soldiers, crouching on the ground, each one holding a woman in his arms. The women are wearing white gowns.
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Opera review: Così fan tutte, Sydney Opera House 

If you can forgive the problematic sexual politics, 'Così fan tutte' is enormous fun.

A darkened stage lit up by three small lamps. A middle-aged man and a woman are seated centrally at a table. To the left is an older man with a guitar, on the right and older woman knitting.
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Theatre review: Uncle Vanya, Ensemble Theatre

Joanna Murray-Smith's adaptation of Chekhov's classic play is elegant and tasteful.

A colourful group of Sydney Fringe performers, including a drag queen, a puppet and puppeteer and others, pose with the Sydney CBD skyline in the background.
Features

Active participation an emerging trend at Sydney Fringe 2024

Why just watch an arts event when you can take part in it?

Karim. Two men. The young one is playing an oud. The old one has his arms in the air.
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Theatre review: Karim, National Theatre of Parramatta

How one young man's life changes when he discovers a traditional Middle Eastern instrument.

A man and a woman are wearing bridal white. She has a crown of flowers on her head. There are other people in the background talking.
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Theatre review: Blood Wedding, Flight Path Theatre

A production that has celebrated origins, but does not meet expectations.

Woman with dark hair and dressed in black in dark gallery with purple illumination in background. Angelica Mesiti. Rite of When.
News

First Australian artist to activate AGNSW's Tank gallery

Former Venice Biennale artist, Angelica Mesiti will take over AGNSW’s Tank gallery with a new immersive exhibition.

A person with dark trousers, short hair and a towel around their neck is standing in the distance of a set made to look like an empty pool. There is a stepladder on the top right. Swim.
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Theatre review: Swim, Carriageworks

A trip to a public pool provokes deep, submerged reflections.

Two men on stage singing opera, one with white body paint as a ghost. Hamlet.
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Opera review: Hamlet, Opera Australia

Revenge thriller, psychological drama – this reworking of Hamlet is an emotionally charged and brilliant piece of work.

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