Hobart
Review: Nothing, Salamanca Arts Centre
A dark and thought provoking work of theatre, skilfully brought to life by a talented team of creatives and performers.
Review: The Mares, Tasmanian Theatre Company
A new play by Kate Mulvany is impeccably realised in this outstanding Ten Days on the Island and Tasmanian Theatre…
What happens when a small community loses its arts coverage?
The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the…
Review: The Campaign, Salamanca Arts Centre
A brilliant piece of intimate and simultaneously joyful and gut wrenching theatre.
Our cross to bear: Hobart's galleries vs the Mona effect
How can a small gallery compete with an institution as large as Mona? Surprisingly easily, it turns out.
Review: Zeb: A Gender Odyssey, Tasmania Performs
A gutsy story performed by an emerging artist who knows all too well how hard it is growing up non-binary…
Review: Blue Cow Theatre's Twelve Times He Spoke
Vital and engaging theatre that gets to the heart of the pressure cooker of male violence and the toxicity of…
Adapting a post-colonial novel to talk about race today
Dominican writer Jean Rhys’ novel Wide Sargasso Sea has been adapted into a radio drama that explores race and gender…
MOFO 2018
The length and breadth of the festival in words and pictures.
Jekyll & Hyde
Moody Hobart skies and the unsettling surrounds of a disused goods shed are a brilliant setting for a night of…