Australia
Review: Almost, Maine, Meat Market Stables (VIC)
A lightness of touch from Between The Buildings does great justice to playwright John Cariani’s vision.
Review: James Drinkwater, Newcastle Art Gallery (NSW)
From a Kenyan schoolyard, to making art on Berlin's streets, to Newcastle's sea pools, this exhibition reminds us that everything…
Review: The Return of Ulysses, Pinchgut Opera (NSW)
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
Review: Siloam and Simon Denny’s Mine, Mona/Dark Mofo (TAS)
The Museum of Old and New Art’s new $27 million extension features artworks by Alfredo Jaar, Ai Weiwei and others,…
How embracing seasons can improve your work and self-care
Working in the arts comes with facing various ebbs and flows. Here’s how embracing the various seasons can diminish stress…
Review: The Irresistible, Dark Mofo (TAS)
The Irresistible is a stylish sci-fi thriller that has you on the edge of your seat.
Review: Murder on the Wireless, Ensemble Theatre (NSW)
The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.
Get the edge on cultural leadership
Getting Cultural Leadership right is one of the most pressing global trends in the arts today. It’s also the theme…
Peter Day – a creative chameleon with an activist heart
Not just one of Australia’s great public art practitioners, this ten year survey demonstrates that Day is right on point…
Review: Things I Know To Be True, Belvoir Theatre (NSW)
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.