Adelaide
Find the freedom to create your future in music and sound
Gear up for an exciting career in music and sound production with a TAFE SA course at Adelaide College of…
Review: Natsuko Plays Beethoven, ASO
Concertmaster Natsuko Yoshimoto farewells the ASO with an exhilarating performance.
Review: Gaslight, State Theatre Company of SA
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
South Australia slowly returns to performance as usual
The first mainstage production in Adelaide post-COVID is preparing to open at the newly refurbished Her Majesty’s Theatre in September,…
How indie theatre-makers are fighting back after COVID-19
Independent theatre companies in Adelaide are preparing to welcome back audiences, but how will a post-COVID world shape their programming?
Exit interview: Joseph Mitchell, Artistic Director, OzAsia Festival
After five festivals, Mitchell has moved onto new challenges. Just before he left, he spoke with ArtsHub about the highs…
Review: Mouthpiece, Adelaide Festival (SA)
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell…
Review: Cold Blood, Adelaide Festival (SA)
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring…
Review: Dimanche, Adelaide Festival (SA)
Inventive puppetry tells a story of environmental collapse in a family-friendly show that ventures into bleak territory.
Review: The Doctor, Adelaide Festival (SA)
Exquisitely written and performed, this drama about identity, gender, faith and science is mesmerising and utterly of the moment.