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A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

Two panels. On the left is author Josie McSkimming, who has fair hair and is wearing a teal top. On the right is the cover of her book, 'Gutsy Girls", which is black with a photo in the middle of a woman, Dorothy Porter.
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Book review: Gutsy Girls, Josie McSkimming

What was it like growing up as a sister of rock star poet Dorothy Porter?

Two panels. On the left is Alicia Sometimes, who has brown hair. On the right is the cover of her book, Stellar Atmospheres. It's is pinkish peach in hue and has random shapes on it.
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Book review: Stellar Atmospheres, Alicia Sometimes

A poetry collection that blends lyricism with astronomical marvels.

Two panels. On the left is a young woman, Madeleine Ryan, with long brown hair. She is sitting on a brown couch. On the right is the cover of her book, 'The Knowing' which has a bunch of flowers on it.
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Book review: The Knowing, Madeleine Ryan

A restless mind, a train ride and a day that questions everything.

Two panels. On the left is the author, Morgan Talty. He has brown hair and a beard. He has his arms crossed over a grey top. On the right is the cover of his book, 'Fire Exit' which features an illustration of flames.
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Book review: Fire Exit, Morgan Talty

A tale about legacy, bloodlines, culture and inheritance.

Two panels. On the left is author Kylie Ladd. She has shoulder-length brown hair and is smiling. On the right is the cover of her book 'The Mix-Up", which is in big font.
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Book review: The Mix-Up, Kylie Ladd

DNA doesn't decide who we love – but try telling that to the shell-shocked families in Kylie Ladd's exquisite heartbreaker…

Sim Chi Yin, a woman crouching over large pieces of paper with photo on them.
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Performance review: Sim Chi Yin, One Day We’ll Understand, Footscray Community Arts, Asia TOPA 

A multimedia performance exploring memory and inheritance.

Two panels. First panel is of Sukhjit Kaur Khalsa, a young Indian woman wearing a white singlet, with a red pattern sari behind her. Panel two is the cover of her book, 'Fully Silkh' which features her with her hands behind her head.
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Book review: Fully Sikh: hot chips and turmeric stains, Sukhjit Kaur Khalsa 

Poetry and prose speak to the experience of growing up Indian in Western Australia.

Two panels. On the left is author A G Slatter, who has dark hair and is wearing a black off the shoulder top. On the right is the cover of her book, 'The Crimson Road', with a carriage in the centre and street lamps surrounding it.
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Book review: The Crimson Road, A G Slatter

A fantasy vampire setting, but its potholes detract from the world-building.

Rocío Molina, a dancing wearing a big ruffly pale blue dress. She is lying on the grown with her legs in the air that are covered by the flounces of the dress.
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Dance review: Caída del Cielo (Fallen from Heaven), Her Majesty's Theatre, Adelaide Festival

Flamenco dance and theatre about the agony and ecstasy of womanhood.

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