Reviews
Review: Beethoven: The Piano Concertos - Concert One, Adelaide Symphony Orchestra
Guest soloist Jayson Gillham shines in Beethoven’s First Concerto.
Review: Beethoven: The Piano Concertos - Concert Two, Adelaide Symphony Orchestra
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.
Review: Dance Nexus, DRILL (TAS)
Involving five schools from southern Tasmania, DRILL’s school’s program explores science through dance.
Review: Demetri Martin, Arts Centre Melbourne
The Wandering Mind tour shows that the award-winning comic is a consummate laugh-maker.
Review: Hrafn: Conversations with Odin, Dark Mofo (TAS)
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
Review: Monet: Impression Sunrise, NGA
A new exhibition brings to light a Monet work previously unseen in Australia that launched the movement.
Review: Herbie Hancock, Riverside Theatre (WA)
A little less flash would have improved this concert from the Grammy-winning jazz pianist.
Review: End of the Rainbow, Adelaide Cabaret Festival
Helen Dallimore captures the complexity of Garland’s character in a stellar performance.
Review: Gershwin Reimagined, Melbourne Symphony Orchestra/MIJF
Laura Mvula’s spectacular performance transcends the score while still paying respect to Gershwin’s original intentions.
Review: The Spooky Men’s Chorale, Civic Theatre Newcastle (NSW)
They’re like a choral group that does really funny political commentary and jokes about masculinity.