Australia
Exhibition review: Bee Stung Lips – Barbara Hanrahan, FUMA, Adelaide
The print maker's short but intensely creative life continues to inspire.
Lessons learned on the job
Riverland Youth Theatre’s new Creative Director reflects on her role and what she’s learned about young people’s wants and needs…
How an Australian company toured Europe mid-pandemic (plus Tubular Bells!)
Yaron Lifschitz reflects on the challenges of mounting three new works in Europe while half of Australia was in lockdown.
On the Move: more sector appointments and departures
ASO Chair steps down, NIDA appoints new executives, Opera Australia appoints CEO, and more.
ICYMI: The week's arts news
Amid a sea of closures this week there's also good news, with new galleries, Auslan Creative initiatives, successful conference pivots…
Building back better: Disability arts one year on from COVID
A panel of leading arts and disability advocates at this year’s Arts Activated Conference unpacked what we’ve learnt from COVID…
State Library Victoria
Nature Illustrated
Natural history illustrations have helped communities worldwide to document biodiversity, track changes in our environment and keep records of species…
Circus and the art of community: The ArtsHubbub episode 16
The circus company that plays together, stays together, according to two of the co-founders of Gravity and Other Myths.
A new ‘policy imaginary’ for Australian art and culture
Strengthening the arts in Australia means re-learning the language of public good, argue Tully Barnett, Julian Meyrick and Justin O’Connor.
TextaQueen awarded $80K commission to celebrate queer South Asian diaspora
For over twenty years, TextaQueen has been using fibre-tip markers to draw out complex politics of gender, race, sexuality and…