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Nina Miall. Photo Angela Willsallen.
Features

What does ‘international’ mean post pandemic for exhibition programming

As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…

Features

Creating better mental health in the performing arts

How do mental health professionals change their approach when working with artists? In a recent panel discussion, psychologists looked at…

Features

Haunting history play to premiere at new First Nations festival

There’s a special feeling on Boorloo boodja (Perth country) in the lead up to Black Swan State Theatre Company’s inaugural…

News

Massive cross-culture ‘season’ rethinks UK/Aus connection and histories

The UK/Australia Season is the largest cultural exchange between our two nations, one aimed to shake up how we think…

Features

From Mona to Craft Vic: Nicole Durling on connectivity, craft and compassion

Appointed to lead Craft Victoria into its next chapter, ArtsHub speaks with Nicole Durling about career trajectories, and what is…

News

9 ways you can support NAIDOC week while in lockdown

Do you love engaging with First Nations arts and culture during NAIDOC Week? Here is a list of ways you…

drag divas at the Darwin Festival
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Darwin Festival turns up the heat in 2021

Darwin Festival celebrates First Nations voices, gives young people the microphone, showcases cross-cultural collaboration, and puts on a Top End…

News

Opportunities, Awards and Winners

Tom Malone Glass Prize award, ACE Open commission, Sydney International Piano Competition shortlist, Green Room Award recipients, plus more winners…

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Opera Review: Aida, Opera Australia

New technology revitalises a classic Verdi tragedy.

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Book Review: The Others by Mark Brandi

A child's perspective is clouded by melancholy and dread.

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