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Theatre review: Things I Know to Be True, Theatre Works

A family held together by love, but wracked by secrets.

A young white woman in a tartan skirt and music band T shirt is at the back of the stage, which has draped material hanging around it. Closer to the camera with his back to us is a white balding middle aged man sitting in a chair and looking at the girl. The Exact Dimensions of Hell.
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Theatre review: The Exact Dimensions of Hell, fortyfivedownstairs

Predatory and sexual violence against a minor is played out through witchcraft tropes.

A white woman with dark, shoulder-length hair and wearing a dark dress and diamond-shaped earrings smiles at the camera.
Features

So you want my arts job: Peak Body Executive Director

Katherine Connor from PAC Australia talks us through her role and the demands of an average week.

Whitesnake3000. A woman of Asian appearance looks at the camera from side on. She is smiling and wearing white face make-up while sucking on a green tube.
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Performance Review: WHITESNAKE3000, State Theatre Centre of WA

Autobiographical dance theatre work exploring artistic, cultural and gender identity.

GRIT. Image is four young people on a stage against a black backdrop. A man at the front has a mic and is shielding his eyes from the light with his hand. Behind him two woman are also singing into mics, while a third woman is closer to the front sitting on a seat with crossed legs and lacing her fingers around her knee.
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Performance review: GRIT, Perseverance Street Studio, Queensland

Captivating songs and stories about regional towns.

Akaraka. A dark set with two people of African appearance, a woman with braided hair and a wraparound shoulderless costume, wearing a red necklace and an older seated man, dressed in regal robes with a red hat.
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Theatre review: Akaraka, The Substation

Akaraka grapples with topics related to the West African diaspora in Australia.

Beast in the Room. A stage set featuring packing pallets and foliage surround a middle-aged woman and a teenaged boy who sit downstage, crosslegged facing each other.
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Theatre review: Beast in the Room, Theatre Works

A short, sharp two-person show that packs a punch.

A white woman dressed in black with a dark blue jacket stands outside a theatre door. Her short hair is pulled back and she is smiling at the camera.
News

Lee Lewis to step down as Queensland Theatre Artistic Director

Lewis is leaving the company later this month after four years at the creative helm.

Swansong. A man in a singlet with his arms crossed is staring straight ahead.
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Theatre Review: Swansong, Theatre Works

A one-man play packs a solid punch.

RISING. A woman in a slip sits on a mattress on the floor, while a man at the foot opens a can of drink. Behind the mattress is a panel with the words SHE GOT LOVE daubed on in red paint.
Features

RISING launches 2024 festival program

Provocative theatre, a notorious rap group from Western Sydney and an Aboriginal rock ’n’ roll musical are among the highlights…

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